Tuesday, September 1, 2015

Introducing Bastian Thomas Kohl & Étude Arts

Soloman Howard, Bastian Thomas Kohl and Sean Michael Plumb (L-R)
We'd like to introduce readers to the German bass-barihunk Bastian Thomas Kohl, as well as his management agency, Étude Arts.

The latter might seem unusual, but it's not often that we see a new agency, especially one that has two barihunks who we've featured, Soloman Howard and Sean Michael Plumb, and one that we somehow missed, Bastian Thomas Kohl. The agency was founded by IMG Artists Senior Vice President Bill Palant. He seems well-suited for the job, having worked in the business for 19 years after a career with the Metropolitan Opera’s Rehearsal Department and the Boston Symphony Orchestra at Tanglewood.  Most importantly, he has a degree in psychology from Oberlin College which will serve his well in this endeavor!



Bastian Thomas Kohl, began his musical career at the age of four and received his formal training at the Hochschule für Musik und Theater Felix Mendelssohn Bartholdy in Leipzig and in Vienna at the Universität für Musik und darstellende Kunst.

His international career commenced at the age of nineteen as a member of the Opernchor Leipzig appearing frequently with Gewandhausorchester under the direction of Riccardo Chailly.  He joined the Opernhaus Zürich in the 2014-15 season as a member of the International Opera Studio and has been heard in productions of Lohengrin, Robin Hood, Fidelio and Fälle,  Upcoming performances in Zürich include roles in Iris Ter Schiphorst's children's opera Die Gänsemagd, Richard Strauss' Elektra, Mozart's Die Zauberflöte, and Tchaikovsky's Pique Dame.

Upcoming performances for Soloman Howard include Banco in Verdi's Macbeth at Kentucky Opera, Frederick Douglass and Martin Luther King, Jr. in Philip Glass' Appomattox at Washington National Opera, Prince Gremin in Tchaikovsky's Eugene Onegin at North Carolina Opera and Fafner in Wagner's Das Rheingold at Washington National Opera.

Upcoming performances for Sean Michael Plumb include Marcello in Puccini's La bohème at Curtis Opera Theater, Olav Bjaaland in Miroslav Srnka's South Pole with fellow barihunk Thomas Hampson at the Bavarian State Opera and Der Graf in Richard Strauss' Capriccio at Opera Philadelphia.

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